I’m a big fan of Sheryl Crow the person. Breast cancer survivor and role model – not to mention survivor of relationships with guys like Eric Clapton and Lance Armstrong – she’s growing more beautiful with age. I like her laid-back California attitude and her activism for cancer research and the environment. And I love that’s she’s a former music teacher that made good. I’d date her in a heartbeat! (Who can resist a beautiful woman with a guitar in her hands?)
But her music has never blown me away. In fact, I’ve found her hits vapid and overly produced. But I’ve enjoyed a number of her albums because there’s always been deeper tracks on them that have been real standouts. Unfortunately, that’s not true of her latest, Detours. I bought it a while back when I went into “Crows†frenzy, buying new records by Counting Crows, The Black Crowes, and tossing this one in from Sheryl Crow all in the same day.
I listened anxiously for those songs that rose above the mediocre ones, the ones that would never get radio play, but where you could tell her heart and soul really were. I never heard them. In fact, after one listen through it, I almost gave it away. I mean, it’s not a complete disaster. You’ll like it if you’re a big Sheryl Crow fan (after my third and fourth listen – it was the only disk in my car for a week – I found some redeeming qualities). But this one’s probably not going to bring in any new, serious-minded music fans.
She does sing a little in Arabic. And she does have a strong environmental bent on this one. But the songs are too obvious and all over-produced, with the exception of “God Bless This Mess,†which actually is a poignant, quiet, little song about the post-9/11 world we’re living in. That one resonates a lot better for me than her more grandiose attempts like “Shine Over Babylon,†which has a standard Sheryl Crow hook, but not much else.
I won’t criticize every track. If you like her, you’ll like the album. If you’re on the fence about her music, this one isn’t worth getting. But a song like “Diamond Ring†sums up my conundrum over this record. It’s got a horrid, monotonous melody. But the lyrics are ambiguous enough to get me thinking:
We made love all day
In our little hide away
But I blew up our love nest
By making one little request
Chorus:
Diamond ring
Diamond ring
Don’t mean anything
Diamond ring
Diamond ring
Should not mean a thing
You could say I do
Hide your negative reviews
You love me you say
But you can’t even face the day
[Chorus]
Some say love is blind
I say it’s only in the mind
Diamonds may be sweet
But to me they just bring on cold feet
Someday you’ll be like me
With someone who just wants to be free
[Chorus]
I honestly can’t tell if she’s talking about some guy who jilted her because she wanted to get married or if it’s the opposite: that she’s the one who wants to love and let live, someone who wants to keep her independence and be free. If it’s the latter, call me, Sheryl! I’m sorry I couldn’t “hide my negative review,†but I’ll be honest with you every time.
On St. Elsewhere, Gnarls Barkley did a great cover of the Violent Femmes’ tune “Gone Daddy Gone.” The Femmes are repaying the cover love, with their take on the Gnarls Barkley hit, “Crazy.” It’s crazy smooth is what it is, with sounds of surf rock guitar, mandolin, flute, and of course the Femmes’ trademark bass. They even rock the theremin on the chorus.
